Cavallini was often called "the Paganini of the clarinet." A wide range of dynamics, emotion and expression are developed in the solo clarinet part. The soloist part is at the medium-advanced level.

This familiar Korean folksong works wonderfully as a percussion feature with band. The pentatonic melody is passed to all sections of the band and there are even optional vocal parts for a unique effect. The flexible percussion parts allow you to expand to as many instruments as you like. It's a gentle, lyrical piece that will allow your percussion section to show the amazing sonorities possible using auxiliary instruments. Lovely!

Finally! The long-time favorite showpiece for serious euphonium soloists is now available in a modern concert band arrangement. This classic "theme and variations" solo allows the soloist to demonstrate tone, technique, and style; and while the solo is difficult, the band parts require a minimum of preparation. A classic in solo literature.

If you want to feature a star trumpet soloist, here's the piece for you! This tasty transcription from Leopold Mozart's well-known Concerto in D has been lowered to the key of Bb, which keeps the same fingering as the original on D trumpet. The band accompaniment features woodwinds and provides a nice classical touch to the performance.

Equally effective when performed by oboe, flute or clarinet, this quiet, reflective and very "tasty" solo is an excellent addition to any library! (Solo M, Band M.)

Feature your first chair flautist in this elegant solo with band accompaniment. The ensemble plays a lyrical backdrop throughout, teaching students the listening skills needed when accompanying a soloist. A welcome addition to any concert.

The beautiful and haunting main theme from the much talked-about movie. A very effective setting for band that highlights woodwinds and includes a prominent piano part that is cued in mallet percussion.